BuBu de la Madeleine interview
Mermaid's Territory ——About possibility cross the boeder way of life
Xiyue Yan, Hyesu Cho, Hanna Hirakawa
BuBu de la Madeleine, A Mermaid’s Territory—Flags and Internal Organs, installation view, Ota Fine Arts, Tokyo, 2022
Photo: Ota Fine Arts, ©️ BuBu de la Madeleine
Introduction
Andrew Maerkle (AM) : Today’s interview is going to publish a media project to start with GA students. At the moment, the title “Rehearsals: A Journal for Globally Engaged Art” has already been decided. In the first place, I have doubts about global arts is a possible story , it is realized rather than always have no choice but to go. Also "Theatre of the Oppressed" written by Augusto Boal from Brazil says Theatre of the Oppressed is "Rehearsal for the revolution". This comes from the concept art may haven't an effect on change the world immediately, but it is rehearsal for revolution. I take inspiration from it I will take this title. I think it's very wonderful have Akira Takayama and Bubu play the lead of interview.
BuBu de la Madeleine (BM) : I'm impressed before accept an interview share with everyone here the word "Theatre of the Oppressed is 'Rehearsal for the revolution'" . The reason will be made clear by what I talking from now on.
Overlapping images of terrain and body